3D design started as something I explored out of curiosity, learning Blender through the infamous doughnut tutorial and slowly building up from there. What began as a side interest eventually became a valuable part of how I work, allowing me to translate ideas into spatial forms and visual experiences without needing to physically construct them. It opened up new ways to prototype, test, and communicate concepts that might otherwise stay flat or abstract. Over time, it became less about the tool itself and more about what it makes possible, especially in projects where tactility, structure, and storytelling come together. For my graduation, I developed a conceptual pop-up for Tekla, including a digital chair shaped from the brand’s name, and used 3D to design the space, explore material ideas, and guide the overall visual direction. I also worked on smaller 3D experiments during my time at FREITAG, often using the medium to support concept development and spark unexpected outcomes. While I am still learning, 3D has become an important part of my toolkit, sitting somewhere between design, strategy, and imagination.